I have three characters in my book who are interestingly named. Griffin Bowen, which is meant to evoke adventure as well as mystery. Right rhythm, two beats, Griff-in, followed by two beats, Bow-en. A hero's name.
Then there are my dear villains.
The arch villain is named Murdock Bowen, Griffin's uncle, which begins with an unpleasant similarity to murder, and his character is certainly capable of killing.
The villainous partner in crime is named Erasmus Snood. I love the rhythm of Erasmus. Like the wobbly wheel on a shopping cart or the wear of an uneven heel, its the extra third syllable that makes it carry so much extra baggage. Then the final 's' of Erasmus slides in to the doorstop word of Snood, the double 'o' pitching a snooty slam. The whole thing is intended to imply a secretive nature accompanied by a superior attitude (which is comically misplaced).
I am tempted to write a Victorian novel just to use the girl's name Mehenatible!
the glamorous struggles of an aspiring author...